Collection of four children's animated features. In 'Home On the Range' (2004), when an eviction notice goes up at the Little Piece of Heaven family-run dairy farm, notorious yodelling outlaw cattle rustler Alameda Slim (voice of Randy Quaid) sees his big chance to claim it for himself. However, he hasn't counted on three resourceful dairy cows, old-timer Mrs Calloway (Judi Dench), tough-talking Maggie (Roseanne Barr) and gentle Grace (Jennifer Tilly), who enlist the help of the other farm animals to track down Slim and use the ransom on his head to save their beloved farm. But the bovine trio have another enemy to contend with - ruthless bounty hunter Rico (Charles Dennis) is also after the reward for capturing Slim. 'G-Force' (2009) follows a team of secret agent guinea pigs who have been trained in espionage techniques and armed with the latest high-tech spy equipment in order to take on a covert mission for the US government. The team, known by code name 'G-Force', includes ambitious squad leader Darwin (Sam Rockwell), fearless weapons expert Blaster (Tracy Morgan) and lithe martial arts genius Juarez (Penélope Cruz). Also along for the ride is Darwin's housefly sidekick Mooch and computer whiz Speckles (Nicolas Cage), a star-nosed mole. Can the gang prevent an evil billionaire from taking over the world with a dastardly plan involving household appliances? In 'The Wild' (2006) an odd assortment of animals from the New York Zoo discover what a jungle the city can be when one of their own is mistakenly shipped to the wild. When an adolescent lion (Greg Cipes) is accidentally shipped from the zoo to Africa, his pals, including Samson the lion (Kiefer Sutherland), Benny the squirrel (James Belushi), Bridget the giraffe (Janeane Garofalo), Larry the anaconda (Richard Kind), Kazar the wildebeest (William Shatner) and Nigel the koala bear (Eddie Izzard), must put aside their differences to help bring him back. In 'Beverly Hills Chihuahua' (2008), when pampered Beverly Hills chihuahua Chloe (Drew Barrymore) gets lost while holidaying in Mexico, she is forced to rely on the kindness of various dogs she befriends as she tries to get home before she is captured by a villainous dognapper. Also in pursuit of Chloe is male chihuahua Papi (George Lopez), who is in love with her, and evil Doberman Diablo (Edward James Olmos), who has his eye on her valuable diamond collar.

The third in Garry Bushell's series based around the year 1979. This is the amazing story of his eye witnessing the birth of the new wave of British heavy metal. Featuring his writings 'as it happened' (mainly for the weekly Sounds). This is a unique insight into the birth of a genre! Unlike the other two volumes which were published previously this is the first time these amazing writings have been collected together in book form. Bands featured Include Iron Maiden, Saxon, Def Leopard, UFO, Blackmayne, Tank, Oral, Venom, Rainbow and Motorhead. Also included is Garry's Top 10 New Wave of British Heavy Metal Albums.

This newest edition of David Waugh and Tony Bushell's Key Geography provides support for the 2014 KS3 Programme of Study, with a focus on developing key geographical skills and techniques to prepare students for Key Stage 4. The Interactions Student Book includes chapters on China and Plate tectonics. Answers to the activities can be found in the Interactions Teacher's Handbook.

Thriller starring Hugh Jackman and Ewan McGregor. Jonathan McQuarry (McGregor) is an accountant who is growing tired of his mundane life. When his new lawyer friend, Wyatt Bose (Jackman), introduces him to an underground sex club known as The List, he becomes besotted by a mysterious woman known as 'S' (Michelle Williams). However, Jonathan's life is turned upside down when the woman vanishes and he is named as the prime suspect in her disappearance.

Third film in the Disney animated comedy series following a family of chihuahuas. Chihuahua Papi (voice of George Lopez) moves into a luxury hotel in Beverly Hills along with both his dog and human families. When his smallest puppy, Rosa (Kay Panabaker), feels insignificant because of her size, Papi encourages her to discover her hidden strengths.

Paris 1917. For twenty-five years, the legendary Marthe has been Pierre Bonnard's companion and muse. His new model Renee, lovely and captivating, thinks it's time her rival stepped aside. But Marthe won't give up her place in history without a fight. An artist may have many models but there can be only one muse.

Never before has such a serious subject been written about with such elegance, wit and humour. Jihad: A Short History is entertaining popular history in strict chronological order enlivened throughout with wordplay, comedy, graphic detail and vivid anecdotes on leading figures. It describes Islam's 1,000-year assault on the rest of humanity, leading up to the concluding chapter where military jihad has been abandoned in favour of hijra, migration. It synthesises in a single readable comprehensive volume the records of the contemporary chroniclers and the works of later historians, which mostly treat some tiny aspect of this enormous subject. None of them led the author to question the main thrust of his narrative. An understanding of the constant invasions of Christian Europe by the forces of Islam over a thousand years is vital to properly make sense of the world in which we now live. The centrepiece of Jihad: A Short History, both figuratively and literally, is the defining 1453 siege and fall of Constantinople, which is described in detail and at length in order to convey the horror of such assaults. Few westerners know of the catastrophic Battle of Mohacs, one of the greatest military encounters in the history of central Europe; or of the Battle of Didgori, in which a staggering 200,000 men perished in a single day of fighting; and that the Muslims twice reached Vienna and in 1543 besieged and plundered Nice. Jihad: A Short History concisely tells of these forgotten events, and of many more epic confrontations.

Re-Reading The Excursion: Narrative, Response and the Wordsworthian Dramatic Voice is a groundbreaking study, which transforms contemporary critical understanding of The Excursion and of the place of this long poem in the Wordsworthian canon. Sally Bushell argues that the poem, which has suffered at the hands of critics for most of the twentieth century, has been unfairly judged according to a Coleridgean rather than a Wordsworthian definition of "philosophy"-that it has been read as a didactic work, rather than one which uses its dramatic form to teach its readers to think for themselves. She offers a new reading in which The Excursion is shown to be about providing the readers with moral habits and mental constructs by which to learn, not simply telling them what to think. The book begins with a discussion of the reception of the poem in 1814, considering the responses of Coleridge, Hazlitt, Francis Jeffrey and Charles Lamb. This historicized discussion is then balanced by a reading of the poem at the compositional stage, looking at the emergence from the manuscripts of a Wordsworthian dramatic voice. The author goes on to argue that the poem's philosophy is performative-that is, concerned with the way in which moral ideas can best be communicated, as much as with the ideas themselves. She then shifts her attention to consider how this operates in relation to the reader, considering the importance of context in relation to emotional response. Later, the epitaphic books are reconsidered in the light of Wordworth's critical writing; Bushell argues that the significance of the epitaph for him lies in its values as a poetic form in which the text itself is released from poetic authority. Finally, the author looks back at The Prelude from the perspective of The Excursion and shows how the later poem attempts to value the ordinary, rather than the poetic, mind. The conclusion reached is that Wordsworth is not just the "egotistical" poet of The Prelude, interested largely in the development of his own imaginative powers, but one who goes on to explore the limits of subjectivity and the importance of different kinds of imaginative links between individuals.

Harry Tyler is living an unhappy life as a "dead man" following a failed MI5 conspiracy to kill him in Ireland. A right wing journalist in a popular paper is saying all the things his readers want to hear, laying blame for the country's ills at the doors of immigration, the welfare state, scroungers, and spongers. But when the people he targets in his column wind up dead, a serial killer seems to be taking the law into his own hands. Harry Tyler is surviving on his wits in the North West of England until fate conspires to reunite him with villain and nemesis John Baker, known as Johnny Too, when Too is released from jail early as bait for the serial killer. The job could bring Harry back in from the cold, or leave him totally exposed and set up as the fall guy if things go wrong.The final installment of The Face trilogy is hard, sexy, and it rattles along like an HS2 freight train.

Trailblazing women working in digital arts media and education established the Midwest as an international center for the artistic and digital revolution in the 1980s and beyond. Foundational events at the University of Illinois and the School of the Art Institute of Chicago created an authentic, community-driven atmosphere of creative expression, innovation, and interdisciplinary collaboration that crossed gender lines and introduced artistically informed approaches to advanced research. Interweaving historical research with interviews and full-color illustrations, New Media Futures captures the spirit and contributions of twenty-two women working within emergent media as diverse as digital games, virtual reality, medicine, supercomputing visualization, and browser-based art. The editors and contributors give voice as creators integral to the development of these new media and place their works at the forefront of social change and artistic inquiry. What emerges is the dramatic story of how these Midwestern explorations in the digital arts produced a web of fascinating relationships. These fruitful collaborations helped usher in the digital age that propelled social media. Contributors: Carolina Cruz-Niera, Colleen Bushell, Nan Goggin, Mary Rasmussen, Dana Plepys, Maxine Brown, Martyl Langsdorf, Joan Truckenbrod, Barbara Sykes, Abina Manning, Annette Barbier, Margaret Dolinsky, Tiffany Holmes, Claudia Hart, Brenda Laurel, Copper Giloth, Jane Veeder, Sally Rosenthal, Lucy Petrovic, Donna J. Cox, Ellen Sandor, and Janine Fron.

It's over forty years since The Jam inspired a new generation with their All Mod Cons album - released in the dying months of 1978. But the Mod revival was far more than just a one-band phenomenon inspired by the arrival of the film version of The Who's Quadrophenia. A succession of groups including The Purple Hearts, The Jolt, The Chords and Secret Affair amongst many others added to Weller's powerful songs with great tunes. It was a movement that had been growing organically for more than a year and was a fitting answer to the increasingly grim post-punk scene with hits such as: 'David Watts', 'The Modern World', 'Down in the Tube Station at Midnight', 'Eton Rifles', 'That's Entertainment', 'Going Underground'...

Comedy, in the 'screwball' style of the 1930s, directed by and starring George Clooney. Set in the 1920s, the film stars Clooney as Dodge Connolly, a brazen yet charming American Football captain who is determined to guide his team to glory. However, his plans suffer a major blow when the players lose their sponsor and the future of the entire league is subsequently thrown into doubt. But when Dodge convinces college football star Carter Rutherford (John Krasinski) to join the team, he hopes that the struggling new sport will finally capture the nation's attention. Carter is a war hero who single-handedly forced a group of German soldiers to surrender in the First World War. His good looks and incredible speed on the field make him seem almost too good to be true, and reporter Lexie Littleton (Renee Zellweger) sets out to prove just that.